Good Will huNTing / painter tom who peeps on glitch │ ARTISTS
WEN gum gum
As a creator of the visual arts field, she remain highly sensitive to political and gender issues. In particular, my observation focuses on how the media manipulates public ideology and transmits messages through the use of visual images.
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As a creator of the visual arts field, she remain highly sensitive to political and gender issues. In particular, my observation focuses on how the media manipulates public ideology and transmits messages through the use of visual images.
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NING,FU
Being the title of this exhibition, I would parse Glitch-Peeping Painter Tom (or Painter Tom who Peeps on Glitch) into three components: Tom, Painter, and Glitch. Tom, derived from the English idiom “peeping Tom” meaning a voyeur, implies my motivation and therefore results in the choice of images on social media. Glitch describes the condition of these images. Lastly, the painter. How a contemporary painter responds to and, as well as in hand movement, being with the making of images. In other words, I may be more of someone who admires others’ lives. Instead of creating my version, I stand timidly, watching their life displayed. Eventually, in response to the “discouragement”, I felt while watching these images, I invaded these experiences with the body that paints and its laceration, reproduction, and reassembly.
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Being the title of this exhibition, I would parse Glitch-Peeping Painter Tom (or Painter Tom who Peeps on Glitch) into three components: Tom, Painter, and Glitch. Tom, derived from the English idiom “peeping Tom” meaning a voyeur, implies my motivation and therefore results in the choice of images on social media. Glitch describes the condition of these images. Lastly, the painter. How a contemporary painter responds to and, as well as in hand movement, being with the making of images. In other words, I may be more of someone who admires others’ lives. Instead of creating my version, I stand timidly, watching their life displayed. Eventually, in response to the “discouragement”, I felt while watching these images, I invaded these experiences with the body that paints and its laceration, reproduction, and reassembly.
Read more...