​交X感 Crossover
08/12 – 09/08

交X感 Crossover


策展Curator｜曾馨霈
參展Artist｜林冠名 | Lin Guan-Ming，高雅婷 | Kao Ya-Ting，謝牧岐 | Hsieh Mu-Chi，黃琬玲 | Huang Wan-Ling，Hansol Lee，
金仁寭 | In-Hye Kim ，田珍鶊| Jin-kyoung Jun，尹誠智 | Sungji Yun 
燈光技術 Lighting Design｜何仲昌 Chungchan Ho
平面設計 Visual Designer｜魏妏如 |WEI, Wen-Ru， 陳彥如 | CHEN, Yen-Ru


展期｜2017.08/12-09/08
時間｜週二-週五11:00-19:00、週六13:30-21:00
開幕｜08/12(六)_17:00
地點｜福利社，台北市新生北路三段82號B1
　


關於展覽｜
人體中遍佈了交感神經，發生E狀態時(緊急、尷尬、興奮、運動)會受到刺激，自發產生反應，這些刺激與身體反應形成一個不斷運作的循環，進而維持體內系統穩定；在藝術家進行交流時，也會經歷許多類似的事件，面對異國文化、不同世代的藝術創作，如何反應、理解與對話，成為交流的課題，過程中形成的聯繫與對應關係，使展覽逐漸建構自身的交感系統，在彼此碰撞之際，促進溝通對話，達到動態平衡。
另一方面，變動的交互關係也反映在，藝術家以各種「關係」連結或者「觀看」方式作為藝術創作的切入，在視覺、其他感官與概念之間不斷游移徘徊，觀看之後產生了關係，同時關係的生產造成了視覺觀看，兩者之間形成角色穿越（crossover），透過配對台韓藝術家來呈現關係與觀看之間的多種可能。謝牧岐以寫生呈現台灣藝術群生脈絡，搭配金仁寭以精細繪畫展現社群網站的人際互動；高雅婷揀選藝術史中的圖像，重製新圖像衍生出的圖像生產關係，則映照尹誠智刻畫死亡、消費體制中的不安與躁動；林冠名關注「觀看」行為上的差異，對比田珍鶊每日在路上觀看的隨機肖像畫；黃琬玲從東西方透視法的不同，思索繪畫中的空間議題，則連結Han Sol Lee以個人在巨大社會上浮動，進行的觀察與實驗。台韓之間雙向的交叉交流，局部對上局部擦撞拼湊出更加開放自由的藝術平台，也成為藝術家尋求在更廣大環境中的生存之道。 


About Exhibition｜
 
The human body is full of Sympathicus. When the E status happens (Emergency, Embarrassment, Excitement, Exercise), Sympathicus will be stimulated and react automatically to those incidents. These stimulations and reactions form up an active circulation, so that the body system can remain stable. While artists are interacting with each other, they experience similar incidents, too. When it comes to artworks from different cultures and generations, how to react, learn and have a conversation with them becomes one of the essential parts of interaction. The links and relations that come up during the progress enables the exhibition to build up its own Sympathicus system, therefore forms a dynamic balance within the stimulations and conversations. 
On the other hand, the dynamic relations also reflect on how the artists use different kinds of “relationships” or “way of viewing” as the methods of working. They linger around the visual, other senses, and the concepts. Viewing will produce some relationships just as the building up relationships involves viewing. There is a “crossover” between these two topics, with pairing up artists from each country, we see the new possibilities. Hsieh Mu-Chi uses scenery sketching to present the storyline of Taiwanese art group, pairing with In Hye Kim’s detailed painting to show the interactions in social networks. The making process of Kao Ya-Tin selecting the images from art history and reproducing new images, reflects Sung Ji Yun’s installations about death and commercial systems. Lin Guan-Ming focuses on the difference of ways of seeing; while Jin Young Jun goes on street watching and sketching random people. Huang Wan-Ling discusses about space issue via comparing the different drawing perspective of eastern and western paintings, meanwhile, Han Sol Lee observes how individual floats in huge society. The two-ways crossing interactions between Taiwan and Korea mend up the pieces from each side and present possibility of creating an open free art platform. Crossover is also a way for artists to survive in the world wild environment.